Archive for April 26th, 2012

Contemporary Australia: Women – Brisbane – Australia

Deborah Kelly | Australia b.1962 | Beastliness (still) 2011 | Animation: 3:17 minutes, colour, sound, 16:9, ed. 2/8 | Purchased 2011. Queensland Art Gallery Foundation | Collection: Queensland Art Gallery | © Deborah Kelly. Licensed by Viscopy, Sydney, 2012


Until 22 July 2012 – Gallery of Modern Art

‘Contemporary Australia: Women’ — the second in the Gallery’s Contemporary Australia exhibition series — celebrates the diversity, energy and innovation of contemporary women artists working in this country today.

Deborah Kelly | Australia b.1962 | Beastliness (still) 2011


Th
is exhibition acknowledges the strong history of work by women artists and recognises the ways that their critical, provocative, unexpected and illuminating contributions have reshaped, and continue to shape, the landscape of contemporary art. It features more than 70 new and recent works, including painting, sculpture, photography, installation, textiles, video and performance by 33 artists and collectives, a total of 56 visual artists.

Jennifer Mills | What’s in a name? (detail), 2009–11 | Mixed media on paper 323 drawings, varying dimensions Installed dimensions variable Purchased 2011. Queensland Art Gallery Foundation Collection: Queensland Art Gallery Photograph: Natasha Harth


Th
e exhibition also includes Embodied Acts, a program of performative works; the Children’s Art Centre installation art work ‘Fly Away Home’ by Fiona Hall; and a film program curated by renowned Australian producer and critic Margaret Pomeranz, AM.

GOMA


El Greco and Modernism – Düsseldorf – Germany

El Greco and Jorge Manuel, Immaculate Conception, 1607-1613, oil on canvas, 108 x 82 cm, © Museo Thyssen-Bornemisza. Madrid


From April 28 to August 12, 2012 – Museum Kunstpalast

It is for the first time that the elective affinity between early Expressionism and El Greco is examined with direct reference to originals and that the phenomenon of an Old Master becoming the catalyst of a young avantgarde art movement is illustrated this vividly. The intention is to reveal the multifaceted levels on which exponents of Expressionism concerned themselves with El Greco’s pictorial world. In the process, attention is paid to the genres of religious painting as well as portrait and landscape painting. A wealth of works tell us of the profound fascination which, quite astonishingly from today’s perspective.

The Vision of Saint John, aka The Opening of the Fifth Seal (1608-1614), oil on canvas painting by El Greco, 222.3 cm x 193cm, located at the Metropolitan Museum of Art, New York City

El Greco inspired Beckmann, Macke, Kokoschka, Franz Marc and all the German avant-garde of the XXth century? This is one thing most had forgotten but this exhibition “El Greco and the Modernists” is here to remind us. It is presented one century after the storm that took place when the paintings by El Greco arrived on German soil. They belonged to the Nemes collection, and were presented in Berlin, then in Dusseldorf in 1912 and finally at the Städtische Kunsthalle. It was there that the young artists were able to see this strange artist up close and the way he transformed proportions using an aggressive palette, filling his compositions with ecstatic characters with wax-colored complexions… One hundred years later, the dream of bringing together the great master and his students is finally a reality. Next to some forty paintings by El Greco, brought in from the Metropolitan, the Louvre or Toledo, we h ave works by Beckmann, Lehmbruck or Oppenheimer put in counterpoint, proving that Cézanne was not their only reference.

Museum Kunstpalast


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