Netherlands

Submarine Wharf – XXXL Painting – Rotterdam – The Netherlands

Jim Shaw, Untitled (Faces in circle), 2009, oil on canvas, 152,4 x 152,4 cm., courtesy of the artist and Simon Lee Gallery, London/Hong Kong

Jim Shaw, Untitled (Faces in circle), 2009, oil on canvas, 152,4 x 152,4 cm., courtesy of the artist and Simon Lee Gallery, London/Hong Kong


From 8 June until 29 September, 2013 – Museum Boijmans Van Beuningen – Submarine Wharf

This summer Klaas Kloosterboer, Chris Martin and Jim Shaw will transform the Submarine Wharf into a gigantic art studio.
In the months leading up to the opening, the artists will be busy at work in the wharf, creating the exhibition on site. Museum Boijmans Van Beuningen wishes to demonstrate the resilience and energy of the art of painting with a true ‘battle of the Titans’ between the three artists:

The Amsterdam-based artist Klaas Kloosterboer can be seen as an ‘inventor’. He experiments constantly, altering the form and appearance of his paintings. The exhibition will include works from the collection of Museum Boijmans Van Beuningen, augmented with loans and new works. Chris Martin lives and works in New York and is the ‘savage painter’: he uses his energy to make each painting an explosion of colour and power. In ‘XXXL Painting’ he will exhibit thirty existing paintings, and in the weeks leading up to the opening he will work on a new painting measuring 13 x 10 metres. Jim Shaw, the ‘storyteller’ from Los Angeles completes the trio. He paints and draws in a figurative, sometimes cartoon-like style on old film sets. In the Submarine Wharf he will present these ‘backdrop’ paintings, some measuring 4 x 15 metres.

Museum Boijmans Van Beuningen


Vincent: The Van Gogh Museum in the Hermitage Amsterdam – The Netherlands

Sunflowers - Van Gogh Museum Amsterdam


From 29 September 2012 to 25 April 2013

During its temporary stay in the Hermitage Amsterdam, the Van Gogh Museum will present works by Vincent van Gogh (1853-1890) from its permanent collection in a completely new way. In this display of some 75 paintings, selected letters, objects and works on paper, visitors will follow Vincent van Gogh on a personal quest into the heart of his artistic identity. The themes that the artist himself identified as central to his development will form the basis of the presentation Vincent: The Van Gogh Museum in the Hermitage Amsterdam.

Vincent's House in Arles or The Yellow House painted by Vincent van Gogh, 1888. Oil on canvas. 72x91.5cm.


D
uring this seven-month renovation, most of the works by Van Gogh in the museum’s collection will be on display at the Hermitage Amsterdam. Many major paintings will be included, such as Sunflowers, The bedroom, Almond blossom, The potato eaters and The yellow house, in surprising combinations of early and late works. Van Gogh’s most famous and best loved paintings will be shown side by side with lesser known works in closely integrated thematic pairings.

Vincent van Gogh - The potato eaters 1885 Oil on canvas - 82 cm × 114 cm (32.3 in × 44.9 in)Van Gogh Museum, Amsterdam


H
ermitage Amsterdam


Impressionism: Sensation & Inspiration – Amsterdam – The Netherlands

, 1878. Oil on canvas, 174 x 101.5 cm © State Hermitage Museum, St Petersburg “]

Pierre-Auguste Renoir (1841–1919), Portrait of the Actress Jeanne Samary [Portrait de Mlle Jeanne Samary


Until the 13th of January 2013 -  Hermitage Amsterdam

The Hermitage Amsterdam present Impressionism: Sensation & Inspiration: the world-famous Impressionist paintings from the vast collection of the State Hermitage Museum in St. Petersburg, are presented in their artistic context.

, 1867. Oil on canvas, 82.3 x 101.5 cm © State Hermitage Museum, St Petersburg “]

Claude Monet (1840–1926), Woman in a Garden [Dame au jardin


M
asterpieces by pioneers like Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Camille Pissarro are accompanied by the work of other influential French painters from the second half of the nineteenth century, such as Eugène Delacroix and Jean-Léon Gérôme. The exhibition focus on contrasts between artistic movements. For instance, visitors can see and experience the sensational quality of Impressionism, the movement that heralded a new age.

, c. 1890–92. Oil on canvas, 92.5 x 73.5 cm © State Hermitage Museum, St Petersburg “]

Paul Cézanne (1839–1906), Smoker [Le fumeur


A
ll the paintings, drawings, and sculptures come from the collection of the St. Petersburg Hermitage. Seldom has such a rich survey of this period been on display in the Netherlands.

 Hermitage Amsterdam


Matijs van de Kerkhof. New Paintings – Amsterdam – The Netherlands

Matijs van de Kerkhof, z.t. 2011, 60 x 50 cm. olieverf op doek


From Saturday, March 31st, 2012 to Saturday, May 12th, 2012 – Gerhard Hofland – Gallery

Gerhard Hofland proudly presents its first solo exhibition of new paintings by Matijs van de Kerkhof (Nuenen,1977).

After studying at the art academy in Den Bosch for several years, Matijs van de Kerkhof has gone on to become a self-taught artist with a compelling and highly original oeuvre.

Van de Kerkhof generally paints group scenes that are dimly lit and infused with a sense of quiet menace. The protagonists, claustrophobic spaces, landscapes, houses and other props are rendered in seemingly casual, intuitive brushstrokes. Black, dark brown or dark blue are the dominant shades in his palette, and from which Van de Kerkhof conjures up scenes in warm hues. Shadows throw large darker areas over the painting. And light receives a similar treatment – mostly radiating from lamps or other unnatural sources, it slices through the dark spaces in sections or brighter bands.

Matijs van de Kerkhof, Zonder Titel 2011, 110 x 95 cm. acrylic on canvas


V
an der Kerkhof’s props and characters are culled from old snapshots found in family albums and re-envisioned in desolate, often disturbing, scenes.
Van de Kerkhof presents us with images in which the staged reality of Edward Hopper meets the psychotic nightmare world of Francis Bacon.
Matijs van de Kerkhof lives and works in Eindhoven and frequently exhibits his work throughout the region. His work was recently added to the portfolio of Henk Pijnenburg of Art Pijnenburg.

Gallery Hours


Closer to You – Jasper Krabbé – Rotterdam – The Netherlands

Floor


25 February to 20 May 2012 – Kunsthal Rotterdam

The Kunsthal Rotterdam proudly presents the exhibition Closer to You, illustrating the fascination that Dutch painter Jasper Krabbé has for his wife and muse Floor. The exhibition, which includes over 200 portraits, illustrates Krabbé’s desire to get closer to her. He spent a year and a half creating images portraying ever different aspects of this one woman. The selected works illustrate a wide diversity of options for creating contemporary portraits as well as a variety of techniques on paper. Krabbé particular likes to work on ‘used’ backgrounds such as pieces of cardboard, envelopes and packaging materials. All his works are presented in frames that he has found and many of which are antique. The portraits, presented as an installation across two floors of the Kunsthal’s Design Gallery, are an ode to love.

The series of portraits range from watercolours to detailed studies in ink, and from detailed portraits to simple line drawings. The works contain countless references to portrait art but also to street art and film posters. Furthermore, the frailty and transience of life form a recurrent theme in Krabbé’s work. In close proximity to his muse, he has recorded moments in time that would otherwise have been lost. In the portraits, we see Floor taking a nap in the car, staring into space or standing in a shop. On viewing these works, one feels almost a part of these daily, sometimes profound moments.

Jasper Krabbé (1970) lives and works in Amsterdam. He graduated with honours from the Rietveld Academy in Amsterdam and from the Cooper Union in New York. Krabbé began his artistic career as a graffiti artist and was a member of the Amsterdamse Collectief USA (United Street Artists). His work often reflects memories of places, events and individuals. Krabbé has had various exhibitions in countries including Sweden, Brazil, Italy and the United States of America. His work is included in collections belonging to De Nederlandsche Bank (DNB), the Stedelijk Museum in Amsterdam, and others.

Museum Hours


Flemish Painters from the Hermitage – Amsterdam – Netherlands

Peter Paul Rubens (1577-1640) and workshop, Venus and Adonis. C. 1614, Oil on panel. 83 x 90.5 cm © State Hermitage Museum, St Petersburg


Extended to June 15th, 2012 – Hermitage Amsterdam

The current exhibition featuring the great Flemish painters Rubens, Van Dyck & Jordaens is to be extended for three months, until 15 June 2012.
A stunning selection from the Flemish art collection of the Hermitage in St. Petersburg. With 75 paintings and about 20 drawings, this definitive survey will include numerous masterpieces by the three giants of the Antwerp School  – Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens – accompanied by the work of well-known contemporaries.

Peter Paul Rubens (1577–1640) will be a special focus of the exhibition, represented by 17 paintings and many drawings. Rubens was the most accomplished and influential Flemish painter of the seventeenth century. At the same time, he was known as a charming aristocrat, diplomat, and collector, and his workshop was a smoothly operating business. He was a legend in his day, a homo universalis. Both Rubens’s religious and his secular works illustrate his unequalled talent. One of his masterpieces is the famous Descent from the Cross (c. 1618), which depicts Christ’s suffering with compelling drama. This painting has never before been sent out on loan.

Anthony van Dyck (1599–1641), Portrait of Sir Thomas Wharton, 1639, Oil on canvas. 217 x 128.5 cm © State Hermitage Museum, St Petersburg


T
he exhibition will also examine Rubens’s influence and followers in detail, devoting particular attention to the elegant and refined portraits of his greatest pupil, Anthony van Dyck (1599–1641). Around 1638, Van Dyck painted King Charles I of England and his wife, the French princess Henrietta Maria. By that time, he had been serving as the king’s court painter for several years and had been knighted Sir Anthony.

The third great master of the Flemish school, Jacob Jordaens (1593–1678), did not study with Rubens but was influenced by him. His impressive paintings invite viewers to share in his exuberant Flemish joie de vivre. Even his history paintings have a Flemish ambiance.

Anthony van Dyck (1599–1641), Portrait of Sir Thomas Wharton, 1639, Oil on canvas. 217 x 128.5 cm © State Hermitage Museum, St Petersburg


C
hirping birds, freshly killed game and floral bouquets grace the still lifes of Frans Snijders, while David Teniers the Younger was renowned for his genre pieces of everyday life. The exhibition will also feature a touching family portrait of Cornelis de Vos and many other major paintings by Flemish masters, displayed in their full glory.

It is the first time that this superb collection will be shown in the Netherlands. Many of these paintings were acquired by Catherine the Great in the eighteenth century. They belonged to world-class collectors such as Pierre Crozat and Heinrich von Brühl, whose collections Catherine purchased in their entirety. Most of them were commissioned by churches and secular patrons in Antwerp and other European cities, and were produced against the backdrop of the Eighty Years’ War and the Counter-Reformation. This Catholic movement, a reaction to the Reformation, encouraged both churches and private individuals to commission sacred art on a large scale. The epic Baroque style of Rubens and his contemporaries made an excellent propaganda tool for the Catholic church, the aristocracy and the wealthy bourgeoisie.

With the aid of an audio tour, a film, and computer displays, the exhibition offers a close look at Flemish art and the history of the Flemish art collection at the St. Petersburg Hermitage. The vitality of seventeenth-century Antwerp comes to life on a special wall of the exhibition that shows painters’ studios, churches, and monuments in word and image. The accompanying catalogue will include essays by Russian and Flemish authors.

Museum Hours


  • Categories

  • June 2013
    M T W T F S S
    « May    
     12
    3456789
    10111213141516
    17181920212223
    24252627282930
  • Archives

  • Copyright © 1999-2012 International Art News. All rights reserved.
    iDream theme by Templates Next | Powered by WordPress