Henri Matisse - Blue Nude (II) 1952 - Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Droits réservés © Succession Henri Matisse / DACS 2013

Henri Matisse – Blue Nude (II) 1952 – Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Droits réservés © Succession Henri Matisse / DACS 2013


From  April 17 to September 7 2014 – Tate Modern

Henri Matisse is a giant of modern art. This landmark show explores the final chapter in his career in which he began ‘carving into colour’ and his series of spectacular cut-outs was born.

The exhibition represents a once-in-a-lifetime chance to see so many of the artist’s works in one place and discover Matisse’s final artistic triumph.
In his late sixties, when ill health first prevented Matisse from painting, he began to cut into painted paper with scissors to make drafts for a number of commissions. In time, Matisse chose cut-outs over painting: he had invented a new medium.

Henri Matisse - The Sheaf 1953 - Collection University of California, Los Angeles. Hammer Museum © Succession Henri Matisse / DACS 2013

Henri Matisse – The Sheaf 1953 – Collection University of California, Los Angeles. Hammer Museum © Succession Henri Matisse / DACS 2013

From snowflowers to dancers, circus scenes and a famous snail, the exhibition showcases a dazzling array of 120 works made between 1936 and 1954. Bold, exuberant and often large in scale, the cut-outs have an engaging simplicity coupled with incredible creative sophistication.

The exhibition marks an historic moment, when treasures from around the world can be seen together. Tate’s The Snail 1953 is shown alongside its sister work Memory of Oceania 1953 and Large Composition with Masks 1953 at 10 metres long. A photograph of Matisse’s studio reveals that these works were initially conceived as a unified whole, and this is the first time they will have been together since they were made. Matisse’s famous series of Blue Nudes represent the artist’s renewed interest in the figure.

Tate Modern