Pablo Picasso (Malaga 1881–Mougins 1973) Portrait of Dora Maar 27 March 1939, oil on panel, 60 x 45 cm. Collection of the Museo Nacional Centro de Arte Reina Sofía,Madrid, DE01840

Pablo Picasso (Malaga 1881–Mougins 1973) Portrait of Dora Maar 27
March 1939, oil on panel, 60 x 45 cm.
Collection of the Museo Nacional Centro de Arte Reina Sofía,Madrid, DE01840


From 20 September 2014 to 25 January 2015 – La Mostra – Fondazione Palazzo Strozzi

The exhibition explores the major themes developed throughout the career of a painter who had the greatest impact on the history of the 20th century: art reflecting on art and on the relationship between the real and the super-real* and between nature and culture, the artist’s heartfelt involvement in the tragedy of unfolding history, the emergence of the monster with a human face, and the metaphor of erotic desire as a primary source of inspiration for the artist’s creativity and world vision.The exhibition also allows visitors to explore Picasso’s multi-faceted personality, the almost symbiotic bond that existed between his art and his life, between the work that he created and the time of his life in which he created it, while History with a capital “H” frequently made powerful inroads both into his pictures and into his life.

Juan Gris (Madrid 1887–Boulogne-Billancourt1927) Harlequin with Violin 1919, oil on canvas, 91.7 x 73 cm. Collection of the Museo Nacional Centro de Arte Reina Sofía, Madrid, DE01560

Juan Gris (Madrid 1887–Boulogne-Billancourt1927) Harlequin with Violin
1919, oil on canvas, 91.7 x 73 cm.
Collection of the Museo Nacional Centro de Arte Reina Sofía, Madrid, DE01560


P
icasso and Spanish Modernity comprises some ninety works by Picasso and other artists, ranging from painting to sculpture, drawing, engraving and even a film by José Val del Omar, thanks to the Fondazione Palazzo Strozzi’s synergistic cooperation with the Museo Nacional Centro de Arte Reina Sofía in Madrid. The works of art on display include such celebrated masterpieces as Woman’s Head
(1910), Portrait of Dora Maar(1939) and The Painter and the Model (1963) by Picasso, Siurana, the Path(1917) and Figure and Bird in the Night (1945) by Miró and Dalí’s Arlequin (1927), along with Picasso’s drawings, engravings and preparatory paintings for his hugemasterpiece Guernica (1937), none of which have been displayed outside Spain in such vast numbers before now.

Fondazione Palazzo Strozzi