Shafic Abboud, J'ai reve que, 1977, 162 x 130 cm. © ADAGP. Courtesy Succession Shafic Abboud, Paris.


From March 22 to June 19, 2011 – Institut du Monde Arabe

Paris finally dedicates a retrospective exhibition to Shafic Abboud, one of the foremost Lebanese painters of the second half of the 20th century. Shafic Abboud’s paintings are a manifesto for freedom, colour, light and joy, as well as being a permanent bridge between the art scenes of France and Lebanon and that of Lebanon and the Middle East. The exhibition sheds light on Shafic Abboud’s paintings, comprising of 190 works of various sizes, dating from all his periods (1948-2003) and coming from many different provenances. Hopefully further exhibitions will present other aspects of the artist’s multifaceted creativity, such as his artist’s books, his prints and lithographs, his ceramics and terracottas, his carpets and tapestries, his sculpture designs…

Shafic Abboud, Les filles, 2000. Oil on canvas, 125 x 125 cm. © ADAGP. Courtesy Succession Shafic Abboud, Paris. Seasons, windows and destroyed cafés


S
hafic Abboud was from a Lebanese Arab modern culture. The stories of his grandmother, who was the village’s story-teller, left an indelible mark on him, at a very early age. He was immersed in the very colourful popular culture of the villages of Mount Lebanon and was familiar with the paintings of the travelling story-tellers. The artist’s eye was also strongly influenced by Byzantine icons and traditions from his church. The writings, debates, ideals, hopes and battles characterising the Arab Nahda, a modernist and anti-clerical Renaissance which was initially driven by 19th century Lebanese writers and thinkers, were to later have a significant impact on Abboud’s intellectual education.

Born in 1926 in Lebanon, Shafic Abboud arrived in 1947 in Paris, only provided with letters of introduction by poet Georges Schéhadé, and blended in perfectly with the city’s artistic life, just as many other artists who had come from all over the world after the Second World War. Shafic Abboud had a particular preference for works by Pierre Bonnard, Roger Bissière and Nicolas de Staël. His first personal exhibition as a figurative painter took place in Beirut in 1950, whilst his first solo exhibition as an abstract painter was held in Paris in 1955. Art critics acknowledged the quality of Abboud’s painting at a very early stage in his life. He was the only artist from the Arab world to participate to the first Biennale of Paris in 1959. In Lebanon, from the 1950s to the 1970s, he played a major role for Beirut’s cultural and artistic life, where he taught at the Lebanese University. He participated to the FIAC in Paris, from 1983 onwards. When Abboud passed away in April 2004, a moving farewell ceremony was organised at the Parc Montsouris in Paris’ 14th district, very close to where the artist had his small studio. Abboud then received a triumphant welcome, when his body was transferred to Beirut and to Mount Lebanon, where he was buried, as per his wish.

Abboud’s painting gradually moved from the poetic Lebanese figuration towards the lyrical Parisian abstraction, followed by a move from abstraction towards a very subtle and personal “transfiguration”, which was simultaneously traditional and modern, pagan and sacred. On a permanent quest, Abboud experiments, gets excited by his discoveries, doubts and reassesses. However, he is also faithful to different aspects of a series of continuous themes such as seasons, windows, studios, rooms, nights, destroyed cafés (large colourful compositions recalling the tragic reality of the war in Lebanon, devastating the cafés by the sea in Beirut, where he loved to go with his friends), the temperas of the childhood world, the temperas of ancient Arab poets, Simone’s dresses (a friend of his whose dresses fascinated him with their various shimmering fabrics). His work is often an invitation to the joy of life, a pagan hedonism yet limited by our frail human condition. Art of the Day