Tag: ambivalence

Louise Bourgeois: The Return of the Repressed – Buenos Aires – Argentina

Louise Bourgeois. Arch of Hysteria (Arco de histeria), 1993. Bronce, pátina pulida, pieza colgante. 83,8 x 101,6 x 58,4 cm. Cortesía de Cheim & Read y Hauser & Wirth. Fotografía: Allan Finkelman

Until June 19, 2011 – Fundación Proa

Fundacion Proa presents for the first time in Latin America the greatest exhibit of work by Louise Bourgeois: the return of the repressed. Bourgeois, one of the most well known artists of the 20th century, was born in Paris in 1911 and traveled and lived in the United States from 1938 until her final days in 2010.

The exhibition opens with the famous spider Maman (1999) displayed in the entrance to Proa, and in the interior rooms display a collection of 86 pieces. Her first sculptures, in which the spiral appears along with various forms and figures that figure prominently in her work, include the Arch of Hysteria, 1993; Spider, 1997, and the emblematic installations Red Room (Parents), 1994, and The Destruction of the Father, 1974. A solid and extensive collection of drawings and sculptures highlight Bourgeois’ radical thoughts and reflections on love: filial, parental, familiar—love itself.

The pieces are a testament to the impact of psychoanalysis on the artist’s thoughts and reveal how her dialogue with this discourse created an emotional universe involving the complexities, conflicts, and subtleties of contemporary life. The interior world, family relationships, the role of the father, the mother, the daughter, and the wife are treated in a singular and personal manner, converting Bourgeois into an icon of the most transcendental themes of the twentieth century.

Her famous hanging pieces, pendants on a string, show the fragility, the delicacy of the events, demonstrating the ambivalence between the exterior world and the interior world of the subject.

Louse Bourgeois: the return of the repressed, curated by Philip Larratt-Smith, is organized in conjunction with the Louise Bourgeois Studio in New York and the Instituto Tomie Ohtake in Sao Pablo, Brazil, and is supported by Tenaris, both for its presentation in Argentina and its tour in Rio de Janeiro and San Pablo.

Foundation Hours

Scarred by Life – Passion in Modern Works-on-Paper – Hannover

Sprengel Museum – 02 June 2010 to 15  August 2010
The historical convulsions incurred by the 20th century and the accompanying rapid changes in life and being had an impact on graphic works by artists. Printing made it possible to directly, seismographically, leave an artistic impression. Sketches are a means of capturing emotions at a moment; such studies detail things that are issues for an individual, then visualise the ideas and work them through.

The exhibition entitled Scarred by Life– Passion in Modern Works-on-Paper examines 20th century works on paper, concentrating on how the tribulations and glories of a turbulent century manifested themselves in individual lives, examining the condition known as conditio humana in modern times.
The privacy inherent in making intimate prints encouraged a number of artists to express very passionate material on paper: Marc Chagall realised etchings reflecting the joy he felt with his beloved, Andy Warhol transferred motifs of J. F. Kennedy’s assassination into lurid silkscreen prints, and Werner Büttner laughed at the prospect of death in his self-portrait on paper.

On a conceptual level, the exhibition reflects the ambivalence towards certain passions. Political enthusiasm can develop into fury; boundless Lebenslust can incur the opposite. Individual fears sometimes evolve into great bravery. The choice of pictures in this exhibition expose drastic contrasts, great depth of understanding and, last but not least, borderline experiences that change lives.

Museum Hours

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