From September 08 to October 15, 2011 – Galerie Karl Pfefferle
Rhythm and the liveliness of the colours by Robert Delaunay and the effective perception of the colour sequence by George Seurat have been the major sources of the art of Yalcindag. The union between the form of canvas and patterns on the surface has significant importance for the artist. Besides “watching everyday life as colours” brings a pop character into the paintings, usage of contrasts such as light and dark, warm and cold generates an optic effect.
Ekrem Yapçındağ was born in Adıyaman in 1964. He graduated from the Faculty of Fine Arts at Izmir Dokuz Eylül University in 1989. He completed his master’s degree at his alma mater in 1993. Between 1994 and 1999, he studied with Prof. Hermann Nitsch at Frankfurt Stadelshule. He received fellowships and attended guest artist program in Schloss Balmoral in 2001, and Villa Waldberta in Munich in 2003. Yalçındağ has had many solo exhibitions and participated in lots of group exhibition in Turkey and abroad. His works can be seen in many public and private collections such as Allianz collection in Munich, Borusan in Istanbul, EPO in Lahey, Goetz Collection in Munich, Istanbul Modern Art Museum in Istanbul, Kunstmuseum in Stuttgart and Rückversicherung in Munich. Currently Yalçındağ continues his work in Turkey and Germany.
Tag: robert delaunay
Ekrem Yalcindag, Street Impressions – Munich – Germany
The Blue Rider, drawings and watercolors – Vienna – Austria

Wassily Kandinsky Farbstudien, Quadrate mit konzentrischen Ringen, 1913 Aquarell, Gouache und schwarze Kreide auf Papier
4 February 2011 to 15 May 2011 – Albertina
Drawings and watercolor paintings of the Blue Rider from the collection of Munich’s Lenbachhaus.
The Blue Rider (“Der Blaue Reiter”) was a loose grouping of artists, named after the almanac first published by Wassily Kandinsky and Franz Marc in 1912 in Munich. In 1911 and 1912 they organized two exhibitions of works by artists, who pursued similar artistic ideas to those of the two artisteditors. In 1957 the Lenbachhaus in Munich came into the possession of more than 400 artworks by Gabriele Münter and her long-time partner Wassily Kandinsky, left to it following Münter’s death.
The exhibition will feature works by the following artists: August Macke, Franz Marc, Marianne von Werefkin, Alexej von Jawlensky, Wassily Kandinsky, Robert Delaunay, Heinrich Campendonk, Gabriele Münter, Paul Klee, and Alfred Kubin.
