Tag: swedish art

Carl Larsson, In Search of the Good Life – Helsinki – Finland

Carl Larsson: Self-portrait ( in the new studio), 1912. Malmö Art Museum. Photo: Andreas Nilsson, Malmö Art Museum

From February 10 to April 29, 2012 – Finnish National Gallery

The aim of this beloved Swedish artist was to paint himself into the hearts of his audience. The art of Carl Larsson (1853–1919) and his atelier home in Sundborn have indeed had an enormous impact on the perceptions of Swedes and other Europeans of what constitutes a better everyday life. Carl Larsson’s visual imagery – which owed a great deal also to the input of his wife Karin – has provided the inspiration for light and well-lit interior decoration for generations.

The exhibition at Ateneum focuses on themes related to the home, as well as on the large watercolours that Larsson painted in Gréz-sur-Loing in France which first marked his artistic breakthrough. Filling the entire second floor of the Ateneum Art Museum, the exhibition includes over a hundred paintings. The exhibition also presents Carl and Karin Larsson as designers of furniture and art handicrafts.

Larsson’s guiding principles were light, lightness and joy, even though his own childhood was dark and he was prone to depression. In a way he created his own happiness, and this exhibition invites viewers to consider what in fact constitutes a good life. Factors that connect contemporary viewers to Larsson’s life include the home, the family, a sense of community, children, gardening and interior decoration.

The exhibition is produced in collaboration with the Turku Art Museum, and an accompanying book was published in September 2011. Ateneum’s exhibition Carl Larsson – In Search of the Good Life is curated by Timo Huusko, Curator at the museum, and the exhibition architect is Minna Santakari.

Museum Hours

The Spiral and the Square – Stokholm – Sweden

From August 24,2011  to  January 8, 2012 – Bonniers Konsthall
What happens in translations between cultures, between languages, between a viewer and an artwork? In The Spiral and the Square. Exercises in Translatability, the works are varied exercises in translatability: Rivane Neuenschwander’s phantom draughtsman translates the visitor’s description of their first love into a portrait on paper. Cildo Meireles’ simple paper bags are translated into a series of volume units. Laura Lima’s living sculpture lends an image to the process of translation as a physical and demanding struggle. Cao Guimarães’ full-length film Ex Isto challenges how history is written by transferring European historical events to the Amazon rainforest.
The Spiral and the Square has its starting point in the Brazilian writer Osman Lins’ cult novel Avalovara (1973), but an exhibition that encompasses the meeting of cultures inevitably and obviously will embrace the world, finding its way finally into Swedish art history. The winding themes and structure here echo the novel’s structure, in which a mysterious palindrome appears in a square drawn on top of a spiral.

The Spiral and the Square features work by internationally established artists of different generations and with many different expressions. Along side the exhibition Bonniers Konsthall, in collaboration with Södertörn University and Albert Bonniers Publishers, is arranging seminars, performances and screenings in which Brazilian culture take center stage.

Cao Guimarães, Ex Isto, 2010

Participating artists: Angela Detanico & Rafael Lain; Mauricio Dias & Walter Riedweg; Eugenio Dittborn; Öyvind Fahlström; Cao Guimãraes; Dominique Gonzalez-Foerster; Fredrik Ehlin, Andjeas Ejiksson & Oscar Mangione; Laura Lima; Arto Lindsay; Dora Longo Bahia; Renata Lucas; Raimundas Malašauskas & Marcos Lutyens; Cinthia Marcelle; Rodrigo Matheus; Cildo Meireles; João Modé; Fabio Morais; Rivane Neuenschwander; Natascha Sadr Haghighian; Rirkrit Tiravanija; Haegue Yang.

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