Tag: witz

Monet to Picasso. The Batliner Collection – Vienna – Austria

Edgar Degas (French, 1834-1917). Two Dancers, ca. 1905. Pastel on card. Batliner Collection. Albertina, Vienna. Photo © Fotostudio Heinz Preute, Vaduz


14 March 2012 – 31 December 2012 – Albertina

In spring 2007, one of Europe’s greatest private collections of classical modern art came to the Albertina as a permanent loan from the Rita und Herbert Batliner Foundation in Liechtenstein.

The Albertina is now in a unique position to compensate for the major gaps in the Austrian state-run museums’ holdings of international modern art with key works of French Impressionism, Post-Impressionism, German Expressionism, Fauvism and the Russian avant-garde.

Pablo Picasso- Woman in a green hat, 1947 - Albertina, Vienna - Batliner Collection © Succession Picasso / VBK, Vienna 2011. Photo: © Fotostudio Heinz Preute, Vaduz

The Batliner Collection has received acclaim from museums and connoisseurs for decades. It includes outstanding works by Claude Monet, Pierre-Auguste Renoir, Paul Cézanne, Amedeo Modigliani, Henri Matisse, Pablo Picasso, Ernst Ludwig Kirchner, Alberto Giacometti and Francis Bacon. These masterpieces can be seen in a new permanent exhibition at the Albertina.

The Batliner Collection is augmented by works from the Forberg Collection in Switzerland, which was also transferred to the Albertina on permanent loan.

Herbert and Rita Batliner began collecting art nearly half a century ago. Due to their close friendship with the legendary art dealer Ernst Beyeler, French Impressionist and Post-Impressionist painting formed a cornerstone of the collection from the very beginning, along with the work of Alberto Giacometti. Exceptional works by Monet such as The Water-Lily Pond, Edgar Degas’ Two Dancers, or Cézanne’s Arc-Tal and Mont Sainte-Victoire landscapes attest to the couple’s passion for French art.

Pierre-Auguste Renoir - Portrait of a young girl (Elisabeth Maître), 1879 - Albertina, Vienna - Batliner Collection. Photo: © Fotostudio Heinz Preute, Vaduz

Picasso became an additional focal point. Today he is represented in the collection with over 40 works, including ten paintings and numerous drawings and one-of-a-kind ceramics.

In the course of his travels, Herbert Batliner gained familiarity with Russian avant-garde art. He and his wife were inspired by the works they saw in Amsterdam’s Stedelijk Museum, the Guggenheim Museum in New York, the Museum Ludwig in Cologne, and the Russian Museum in St. Petersburg, to build their own fine collection of Russian avant-garde art from 1905-35.

The focus of their acquisitions was on Marc Chagall, but they also sought out works by Natalia Goncharova, Liubov Popova und Mikhail Larionow. The collection includes a major work by Kazimir Malevich, painted as a defiant memory image immediately following the artist’s release from a Stalinist prison.

Kees van Dongen- Woman with Blue Eyes, 1908- Albertina, Vienna - Batliner Collection © VBK, Wien 2009. Photo: © Fotostudio Heinz Preute, Vaduz

The permanent exhibition spans the most fascinating chapters from more than 130 years of art history, from Impressionism to the most recent present. Paintings by Monet, Renoir, Cézanne, Matisse, Miró, Klee, Kandinsky, Chagall, and other masters offer a survey of French Impressionism and Post-Impressionism, the Fauves, Expressionism, and the Russian avant-garde. With late works by Picasso and exhibits by Rothko and Bacon, the exhibition leads over to the second half of the twentieth century, before it ends with works by contemporary artists such as Anselm Kiefer and Gerhard Richter.

Albertina opening hours


Konrad Witz. The Unique Exhibition – Basel – Switzerland



06 March to 07 July 2011 – Kunstmuseum Basel

Konrad Witz is one of the most radical innovators in the art of painting of the first half of the fifteenth century. He arrives in Basel in 1434, probably attracted by the international atmosphere created by the ecumenical council of the Christian Church that is held in the city in those years. By 1447 he must have died. During this brief period of little more than a decade he creates a series of grand altarpieces, of which only individual panels survive. These paintings evince a powerful new interest in the outside world as perceived in immediate experience. The significance given to light and shadow, to reflections, to the spatial depth of architectures and landscapes attests to Witz’s familiarity with contemporary Flemish painting.

The exhibition aims to unite the extant monuments of Konrad Witz’s art created by his own hands such as the famous ‘Mirror of Salvation-Altarpiece’ for St. Leonard’s in Basel. More than eighty exhibits, including many loans also from the fields of the graphic arts, wall and glass painting, moreover illustrate the influence Witz exerted on his contemporaries. To this end the traditional art-historical approach has been complemented by a thorough technological analysis of the paintings that produce fascinating insights into workshop practices of the time.

Museum Hours


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